![]() It is impressive how Linford builds up so much rhythmical impetus in such tracks, the latter almost explosively. The amusingly titled "Feels Good Donit" and "This Doesn't Look Good" remain dominated by the interplay of electronic beats and orchestral discords. ![]() Much of the rest of the score continues this feel. The final result is therefore absolutely spectacular and fitting in context. The pace never relents and the volume never quietens. The thorough development maintains the intensity with electronic interludes and even more resolute orchestral sections. Listeners feel the heat of the police chase in the game as soon as the music plays. Linford establishes a compelling pace for the theme using electronic beats and bass licks, before introducing some intense brass and string discords. "Kick It Up a Notch" provides a solid reflection on the type of music to expect from the game. The result is a series of electro-orchestral scores that were, at the time of the game's release, the most intense and dramatic tracks to be featured in a Need For Speed game. ![]() In addition, they hired Hollywood musician Paul Linford to provide some original underscore for the police pursuit sessions. Once again, they included a range of licensed rock, electronic, and hip-hop tracks. Electronic Arts decided to take the music for Need For Speed: Most Wanted in a new direction.
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